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Ghanaian creative duo Lali X Lola have issued a strong call to the Minister of Finance, Hon. Dr. Cassiel Ato Forson, urging the government to implement structural reforms that will enable the recovery of millions in withheld international royalties owed to Ghanaian creatives.
Their appeal follows the Minister’s recent announcement of the Creative Arts Fund, seeded with GH¢20 million in the 2026 National Budget—an initiative they have welcomed but believe is only a fraction of what is required to transform Ghana’s creative sector into a globally competitive industry.
In their statement, Lali X Lola commend the Ministry of Finance for recognizing the creative arts as a vital pillar of Ghana’s economic future. However, they emphasize that the GH¢20 million allocation is insufficient to address the decades-long challenges hampering the growth of the sector.
Ghana’s creative ecosystem—covering music, film, digital arts, fashion, gaming, culinary arts, and cultural IP—has suffered from:
According to the duo, meaningfully elevating the sector will require robust investment in IP protection, digital tracking systems, skills development, export support, industry financing, global partnerships, and effective royalty collection mechanisms.
The artists highlight a major untapped source of revenue currently slipping through Ghana’s fingers—withheld royalties deducted abroad due to the absence of bilateral tax treaties.
Ghanaian creators lose 10% to 30% of their international royalties in withholding taxes in countries where Ghana has no tax agreement. These funds are:
When aggregated across years and across all creative fields, these losses far exceed the GH¢20 million budget allocation and could become one of the largest and most sustainable foreign exchange inflows for Ghana’s creative economy.
Lali X Lola are urging the government to pair the Creative Arts Fund with long-term structural reforms designed to unlock billions in future earnings. Their main recommendations include:
They propose urgent engagement with countries such as:
These territories host major streaming platforms, publishers, and performance rights organizations. Securing treaties would allow Ghanaian creators to reclaim millions in withheld royalties annually—similar to models already used by South Africa, Morocco, and Egypt.
They recommend creating a dedicated unit under the Creative Arts Fund responsible for:
This mechanism, they argue, would multiply the impact of the initial GH¢20 million seed fund.
A centralized digital system would:
Lali X Lola reaffirm their appreciation for the government’s commitment to the creative arts. They maintain that while the GH¢20 million Creative Arts Fund is a historic first step, recovering withheld royalties represents a far more sustainable and transformative solution that can unlock long-term financing for the sector.
They have expressed readiness to collaborate with the Ministry of Finance, provide research insights, and support stakeholder engagements to help Ghana maximize this opportunity.
Patricia Delali Dake (Lali) – BA Economics & International Relations
Trysha Wolali Dake (Lola) – MSc Economics
+233 266 281 987
lalixlola1@gmail.com
www.lalixlola.com
Written by: Perry Adams
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